Rebecca belmore

Rebecca Belmore, 'The Capture of Mary March'

Rebecca Belmore - documenta 14

Detail from Rebecca Belmore’s “Tower,” of clay and shopping carts, created on site at the Art Gallery of Ontario in Toronto.CreditMark Sommerfeld for The New York Times A Canadian Museum Promotes Indigenous Art. But Don’t Call It ‘Indian.’ - The New York Times

The retrospective of the work of the Ojibwa artist is also a call for hope, action: 'It’s important to think about the future. The not-too-distant future, in fact.'

Rebecca Belmore, State of Grace, 2002

Rebecca Belmore was the first indiginous woman to represent Canada at the Venice Biennale, 2005. She creates performances that address ...

The largest exhibition devoted to award-winning Anishinaabe artist Rebecca Belmore opens for the summer at Musée d’art contemporain de Montreal.

Rebecca Belmore installs her Indigenous experience at OBORO

Rebecca Belmore was the first indiginous woman to represent Canada at the Venice Biennale, 2005. She creates performances that address memory, photographs that implicate the body and sculptures that evoke a sense of place. Rebecca asks us to examine our relationship to history. She uses natural materials, repetitive gestures and labour. She references the struggling or missing body. This post is about some of the artifacts that Belmore created between 1987 - 2004. Her earliest piece, a…

Mixed Blessing by Rebecca Belmore, 2008, is featured on Facing Monumental at the AGO | Image Credit: Erica Commanda Facing Monumental honours the lifetime works of Rebecca Belmore (Anishinaabe), a multi-disciplinary artist that creates works addressing the issues of our times. The exhibit features photographs, sculptures and media installations that are responses to Missing and ...